Nathan Lewis, whose work is now on view in a solo exhibition in Stamford, Connecticut, is a painter with a strong feeling for the cycles of history, but no desire to reach back towards a "Golden Age." Lewis finds more than enough subjects in the world that surrounds him right now and he paints abandoned factory sites with the same vigor and pathos that Piranesi brought to this views of ruined Greco-Roman temples. In the view of his dealer, Fernando Luis Alvarez, Lewis is endowed with an intense ...
Nathan Lewis, whose work is now on view in a solo exhibition in Stamford, Connecticut, is a painter with a strong feeling for the cycles of history, but no desire to reach back towards a "Golden Age." Lewis finds more than enough subjects in the world that surrounds him right now and he paints abandoned factory sites with the same vigor and pathos that Piranesi brought to this views of ruined Greco-Roman temples. In the view of his dealer, Fernando Luis Alvarez, Lewis is endowed with an intense ...
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